характерната

The question of characteristic detail is connected with almost all the important problems of literary creation and, of course, to a considerable extent with the problem of conciseness in prose, of condensed, synthetic prose. It is needless to emphasize that the detail that enlivens the incident, the event, the character, that individualizes them, but at the same time typifies them, is the basis of what separates realism both from naturalism and from schematism and simplification in their various forms. It is known that the fiction writer, faced with the life that he has to recreate, first of all encounters a huge number of details. In the diversity of human actions, in the multiplicity of tones that fill the atmosphere, in the tangle of human experiences, the writer should orient himself and recreate them in his presentation. We know how complex reality is, both in the great of the infinite and in the small, in the fragment, even in the microscopic. In a single blade of spring grass there is so much life and color and meaning that, as is known, ancient Japanese artists created an entire school.