позиции

The first to encounter his name in print were the readers of the magazine "Savremennost" in the autumn of 1906. The magazine was rather nondescript. Its loud name was probably chosen to remind us that the editors St. Donchev and G. Savchev, whom no one knows today, had the "new literary trends" at heart, i.e., symbolism. At that time, in the minds of some intelligentsia, susceptible to literary fashion, decadence was a sign of modernity. But in the cycle "Dedication" by the new poet Dimcho Debelyanov, there is no decadent "modernity" to be seen. The poems are not shrouded in a symbolic fog, they are clear, traditional". "The inspirations come from elsewhere - from the poet whose personality fills the young man's heart with adoration - Pencho Slaveykov. At that time, Dimcho Debelyanov, born in 1887, was nineteen years old. He had just graduated from the first Sofia male gymnasium. In the gymnasium, he earned a reputation as a warm-hearted and talented young man. Many loved him - for his bribing immediacy, although he was also inclined to solitude, for his directness, for the pure fervor with which he spoke and declaimed. One of his speeches on the feast of Cyril and Methodius was long remembered. He made an even deeper impression with his recitation in "Slavic Discourse" of Vazov's poem "Come and See Us". This time he even gained the attention of the monarch Prince Ferdinand himself, who had come to the solemn student matinee. And no wonder. Dimcho was not at all embarrassed by Coburg. Turning to him, he boldly threw the angry denunciations of the people's poet into his eyes:

In the history of Bulgarian literature, Vasil Drumev occupies a certain place not only as a fiction writer and playwright, but also with his versatile critical activity. His literary-critical, cultural-historical and other articles create for him a name of a gifted and educated man of letters, who worked with love and understanding for the development of national literature, science, culture. He is one of the few Renaissance writers who received a relatively more systematic education and had the opportunity to study the literatures of other nations for a longer period. Thus, the natural talent of the author of the first Bulgarian novel, the aspiration that possessed him since adolescence and to serve the spiritual revival of his people with his pen find favorable conditions for maturation and development. And if the talented writer had not changed his calling precisely in the heyday of his creative powers, if he had not accepted the spiritual dignity, he would undoubtedly have enriched our national artistic and theoretical-critical thought to a much higher degree.

During its turbulent and long life, which temporarily faded away during the wars and ended in the tragic year of 1923, the magazine "Novo Vreme" by Dimitar Blagoev invariably devoted a large space to the problems of art and especially fiction. Blagoev was deeply convinced that fiction is one of the best means for society's self-knowledge, that the influence it can exert on life is enormous. This conviction inspired him to tirelessly care for illuminating in "Novo Vreme" the problems of art and literature from a "socialist point of view", to lead a consistent struggle for realistic and progressive fiction.