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G. Dimitrov's statements about literature and art, his assessments of cultural manifestations in our artistic life are not accidental and isolated. They are determined by the great importance, role and specific social function of art. G. Dimitrov is characterized by a subtle sense of the historical originality of artistic phenomena. Therefore, he always turns to the problems that have arisen with the greatest acuteness from the course and development of society. For example: his thoughts on the superintendent, illuminated in the report of the VII Congress of the Comintern, are an example of a creative concrete-historical approach. And this undoubtedly had a particularly important significance not only for the correct direction in the party policy on this issue, but also became a broad platform for the unification of honest talents throughout the world in defense of culture against the barbarism of fascism and the falsification of the heritage.

Georgi Markov's new book presents the author to us as a well-oriented literary critic, who makes conscious and in-depth efforts to reveal the specific laws of literary creativity, to penetrate the secrets of artistic mastery, into the world of the writer. The fruit of theoretical thinking, the book has a close proximity to the sphere of art. It does not give abstract logical interpretations and analyses, but rather approaches them concretely, in connection with the artistic features of literary works. The author's growth is evident. 1 G. Markov, Life Truth and Artistic Truth, ed. Narodno Prosveta, Sofia, 1968. A few years ago he published the book "Questions of Literary Analysis". If we compare it with the current one, we will see many common problems and at the same time - a big difference in their development. A manifest aspiration towards a complex research approach, towards a modern scientific level. Georgi Markov's theoretical interests are directed primarily towards the problems of ideology and artistic analysis, towards revealing the complex relations between literature and reality. These issues, which have a fundamentally important methodological significance for clarifying the essence of artistic creativity, have always been little developed so far, and there are many unresolved problems in connection with them. In the past, a considerable tribute was paid in this area to schematism and simplification, to vulgar sociology. To this day, many theorists are often satisfied only with general definitions and formulations, without detailing and arguing in essence. However, in his new book, G. Markov approaches the problems from different aspects, seeks the root causes of the phenomena, connects theoretical issues with examples from various literary works, mainly by Bulgarian poets and writers.