Magdalena Shishkova Ideas and Images in the Early Stories of Dimitar Talev
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Summary/Abstract
SummaryFor years, for obvious reasons, our literary scholarship has been shedding light on the creative and life path of the writer Dimitar Talev in a very uneven way. Divided by the gamut of historical events in 1944-1945, this path offers a heterogeneous ideologically and emotionally, artistically unequal and unequally grateful material for studying the author. The mature work of D. Talev, which attracts with a true abundance of ideological and aesthetic problems, social and life conflicts, of human images and motives, is quite justified in the center of the most significant studies to date on the literary work of the writer. The attention of D. Talev researchers continues to be directed today to the great ideological and artistic wealth of the four-volume historical epic, a work that has secured an inviolable place in the heart of every Bulgarian, and has won for the author the name of an indisputable master of everyday-historical narration. Before tracing the writer's overall creative development, before outlining his appearance in detail, it was imperative to understand the beauty and power of that series of novels that earned the author extraordinary popularity and recognition. The relevance of this task for the future is undoubted.Keywords: идеи, образи, ранните, Разкази, Димитър, Талев