изследователски

I do not hesitate in the title and in the following lines to qualify Vasil Kolevski's book "The Pathos of October (Soviet Literature in the Bulgarian Proletarian and Anti-Fascist Literary Press 1917-1943)" in this way, because the work done by the author, dedicated to an important issue of literary relations between the Soviet Union and Bulgaria, whatever its shortcomings, is at a scientific level and testifies to a certain knowledge of the material and problems, to a conscientious and close attitude to a not so easy task. During the bourgeois-fascist dictatorship in our country, the proletarian and anti-fascist literary press was almost the only place where Soviet literary-theoretical and aesthetic thought and the artistic and literary production of Soviet writers could be presented and evaluated more fully or more mutilatedly - depending on the behavior of the censorship - and where at the same time their influence on our communist literary thought and practice found expression. Therefore, it is quite natural, when developing the topic of Soviet literature in Bulgaria, that the researcher's attention should be directed primarily to progressive newspapers and magazines.

Georgi Markov's new book presents the author to us as a well-oriented literary critic, who makes conscious and in-depth efforts to reveal the specific laws of literary creativity, to penetrate the secrets of artistic mastery, into the world of the writer. The fruit of theoretical thinking, the book has a close proximity to the sphere of art. It does not give abstract logical interpretations and analyses, but rather approaches them concretely, in connection with the artistic features of literary works. The author's growth is evident. 1 G. Markov, Life Truth and Artistic Truth, ed. Narodno Prosveta, Sofia, 1968. A few years ago he published the book "Questions of Literary Analysis". If we compare it with the current one, we will see many common problems and at the same time - a big difference in their development. A manifest aspiration towards a complex research approach, towards a modern scientific level. Georgi Markov's theoretical interests are directed primarily towards the problems of ideology and artistic analysis, towards revealing the complex relations between literature and reality. These issues, which have a fundamentally important methodological significance for clarifying the essence of artistic creativity, have always been little developed so far, and there are many unresolved problems in connection with them. In the past, a considerable tribute was paid in this area to schematism and simplification, to vulgar sociology. To this day, many theorists are often satisfied only with general definitions and formulations, without detailing and arguing in essence. However, in his new book, G. Markov approaches the problems from different aspects, seeks the root causes of the phenomena, connects theoretical issues with examples from various literary works, mainly by Bulgarian poets and writers.