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  • Summary/Abstract
    Summary
    We know under what circumstances and when Nikola Vaptsarov wrote his two death poems: "Farewell", dedicated to his wife, and "The Fight is Mercilessly Cruel". The poet wrote under them the date July 23, 1942 and the hour - 2 p.m., on the very eve of his execution. The excitement that overwhelms us when we read these two poems of two stanzas is irresistible: they sound in our hearts and memories, vibrate as if each verse is a string, constantly vibrating under the pressure of a feeling, immeasurable in its depth, a sublimation of a shaking lyricism. Perhaps before Vaptsarov, only in Botev - in his "Farewell" - do we find such dramatic tension and feel such a conquering power of the lyrical wave.
    Keywords: Нови, френски, публикации, Интересен, поетически, паралел, Вапцаров, Деснос, Ленин, Париж, труд, Фревил, Ниагара, стереофоничен, етюд, Мишел, Бютор

Free access
  • Summary/Abstract
    Summary
    Pencho Slaveykov's attitude towards our folk art is not one of the unclear and unknown issues of his thought and poetry. Moreover, he is one of those artists who turn to the folklore of his people not only directly - with his personal poetic work - but also through a number of statements, articles, studies. This facilitates the study of the problem posed and to a certain extent directs its solution. I will not dwell on Pencho Slaveykov's views on Bulgarian folk art, expressed theoretically, but on those that we find in works such as "Ralitsa", "Chunar", "Lud Gidiya", "Nerazelni", "Lyatna Vecher" and many others, which grew under the direct influence of folk works or were nourished by them. On the other hand, I will try to trace the dependence of Pencho Slaveykov's journalistic statements on the relationship between the talent of the artist and the talent of the folk singer; to what extent is the influence between them; to what extent these statements become a principle for his personal creativity.
    Keywords: Пенчо, Славейков, поетически, Талант, Фолклор