Между тревожността и интимното. Драматургията на Михаил Величков
-
Обхват на страниците:102-113Страници: 12ЕзикБългарскиБрой преглеждания:14ДОСТЪП: Free access
-
- Име: Николай Кирилов
- Инверсия: Кирилов, Николай
- E-mail: [email protected]
- Институция: Institute for literature, BAS
-
Ключови думиРезюме
This article is dedicated to the dramaturgy of one forgetfulness Bulgarian playwright from the years of the so-called Socialism when he builds his own existential poetics, different from the official ones. The meaning of human life is understood by Velichkov as balancing between two categories – the mystery of Intimacy and the wisdom of Anxiety. His style has been seen as a language of silence and anger as a language of Harold Pinter and David Campton. His style has been seen as a language of Poetry itself, as a language of Theatre as a Ritual of the Love.
Velichkov, Michail, Piesi. Sofia: Balgarski pisatel, 1984.
Zhulien, Fransoa, Za intimnoto. Dalech ot shumnata lyubov. Sofia: Iztok-Zapad, 2015; Jullien, François, De l’intime. Luin de bruyant amour. Éditions Grasset & Fasquelle, 2013.
Popiliev, Romeo, Golyamoto malko prostranstvo. // Literaturen forum, 9–13 sept. 1994.
Stefanova, Nevena, Kniga za Michail Velichkov. Varna: Izdatelstvo „Zograf“, 1998.
Goethe 1829: Bashford, Christina, The string quartet in society. // In: Stowell, R. (ed.), The Cambridge Companion to the String Quartet. Cambridge University Press : 2003, pp 1–18
Pinter 1970: Pinter, Harold, On Being Awarded the German Shakespeare Prize in Hamburg (1970). // Various Voices, 39.
Wardle 1958: Wardle, Irvihg, Commedy of Menace. // Encore, vol. 5 (Sept. – Oct. 1958), p. 28–33.