Статии

The article is devoted to the study of the peculiarities of the translation of realia as a means of expressing a specific regional or national identity of a contemporary work of art in the light of the requirement for equivalence and adequacy of a translation of an artistic text. The research presents the concept of adequacy, lexical, semantic, and functional equivalence of the translation with an emphasis on the case of realia, which should be understood and become acceptable in a different culture. The article examines several examples from the translation of the novel “Time Shelter” by Georgy Gospodinov into Czech and Polish. The analysis outlines the various transformations and strategies adopted by the translators in their target language.

The aim of this study is to examine the multifaceted elements present in Haruki Murakami’s novels, with a main focus on their philosophical underpinnings. In particular, the analysis of the recurring character known as the Sheep Man is at the center of attention. The latter, a fundamental and mysterious figure in Murakami’s literary universe, embodies a fusion of human and animal traits. He becomes a means for the search of identity and the exploration of other existential themes. In various novels, the Sheep Man acts as a guiding force for the other protagonists on their quests for self-discovery. This article sheds light on the elements of magical realism and symbolism, such as the Sheep Man’s fondness for doughnuts, that enrich the narrative and invite diverse interpretations. This research also delves into philosophical concepts like “Possible Worlds,” suggesting that Murakami’s narratives exist in a realm where the boundaries between different realities are blurred. Finally, the article shows that Murakami’s exploration of identity and self-discovery mirrors his protagonists’ self-journeys. At the same time, it reflects autobiographical aspects of the author himself. The use of magical realism allows Murakami to effectively convey these themes and captivate readers with thought-provoking narratives.

This study analyzes Kiana Davenport’s “Shark Dialogues” through postcolonial and ecocritical frameworks, exploring Hawaiian identity, cultural hybridity, and environmental stewardship. At its core is Aloha 'Āina – a philosophy of love and respect for the land – which serves as a foundation for cultural survival and resistance against colonial forces. The novel features hapa (mixed-ancestry) characters who challenge colonial narratives while reflecting the complexities of modern Hawaiian identity. These characters embody the tension between indigenous roots and foreign influences that shape contemporary Hawaiian culture. Davenport connects Hawaiian struggles to broader indigenous movements against ecological and cultural exploitation. This study argues that “Shark Dialogues” redefines Hawaiian identity by creating a framework that unites environmental sustainability with indigenous resistance. Reading on “Shark Dialogues” contributes to ecological justice and decolonization discussions in postcolonial contexts.