Characterization of the character in some modern plays

Here the curtain is lifted and the reality, which is supposedly so familiar to us, is revealed in some unseen, unsuspected light. The reason, of course, is at least in the modern, unfamiliar, often a little bizarre artistic means, although they are sometimes necessary. The reason is in the unusually fresh, wise, communist contemporary view of the author, in his new discovery of the world. The bearer of "innovative power" in the play, of that dreamed thing that the viewer seems to want to take with him after the performance, is the dramatic image. Through it, the playwright achieves his ultimate goal: to influence the viewer. Without a dramatic image, the most fulfilling idea, the most complexly conceived conflict, and the most original dramatic composition hang in the air. Only the dramatic image-discovery can give them flesh and blood, revive the author's innermost thoughts, excite the viewer with his fate, make him think, believe in the improbable.