Some problems of realism in Vakhtangov's art

Vakhtangov as a fully developed artist with his own concept of the art of theater can be spoken of mainly in connection with his two last masterpieces - "Khadibuk" by A. N. and "Turandot" by K. Gotsi. Here he already reveals his understanding of the tasks of the new Soviet art, of the place of the director and the actor in it, of the relationship between the playwright and the theater, of the need to reach new social and psychological depths. It is quite natural that with these productions Vakhtangov managed to immortalize himself, to remain a symbol of a unified theatrical revolution, of a renaissance in Soviet art. Therefore, it is precisely these two performances that give us the right to examine in a generalized manner a number of more general questions of the art of theater, closely related to modernity.