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Boyan Nichev is one of our contemporary critics who shows a certain interest in problematic thinking, in the complexity of literary phenomena. He combines a subtle critical observation and a talent for generalizing, for getting to the root of the relevant literary facts. In his writing, he is not spontaneous in the least, passion does not pursue him frantically. On the contrary, you feel how the mind slowly but persistently spreads before us the picture of the relevant literary reality, in order to then reach the regularities and new features of the whole. B. Nichev simply revels in the opportunity to enter the literary phenomenon, for him this is equal to an aesthetic experience. Therefore, he strives for the spiritual discovery to receive a corresponding plastic equivalent, to become visible, "visible" to the reader.

The impact of the October Socialist Revolution and Soviet fiction does not only imply the dissemination of ideas, the translation and reading of books. This is perhaps the purely external side of this complex and deeply contradictory process. But as an "external side" it also has its place and significance. However, it is no less important to see the ideological and aesthetic changes that occurred in the creative development of individual our writers and in literature as a whole after October. A new aspect in this regard is the way in which we responded to the first October events. Because new art, new production means, first of all, the discovery of a new form, on the one hand, and, on the other - the rejection of the "old" rules in order to manifest the new ones. And not only that. The new is never born suddenly, on the contrary - the elements from which it will "crystallize" accumulate for a long time. The new inherits and simultaneously elevates to a higher level that which prepared its appearance.